Tone is everything.

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• Darryl Pinckney:

  The city - as the theater of experience, the refuge, the hiding place - has, in turn, been replaced

• Darryl Pinckney:

  The nameless loser in Jay McInerney's 'Bright Lights, Big City' is going to the dogs like a gentlem

• Darryl Pinckney:

  Paule Marshall does not let the black women in her fiction lose. While they lose friends, lovers, h

• Darryl Pinckney:

  Harlem's streets lead backward, into history, straight to a work such as 'This Was Harlem.'

• Darryl Pinckney:

  Harlem exists in retrospect, in the memory of grandparents or elderly cousins, those 'old-timers' e

• Darryl Pinckney:

  Once upon a time, I was morbidly sensitive about the impertinence born of sociology. Taxi drivers w

• Darryl Pinckney:

  I carried props into the subway - the latest 'Semlotext(e),' a hefty volume of the Frankfurt School

• Darryl Pinckney:

  Novels set in distant places give us expectations not unlike those we have of travel writing, and o

• Darryl Pinckney:

  Steven Spielberg's 'The Color Purple' might as well have been about a bunch of dancing eggplants fo

• Darryl Pinckney:

  The novel and the film of 'The Color Purple' are both works of the imagination that make claim to h