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Touching on universality is an important part of effective storytelling, but the problem with clich
Touching on universality is an important part of effective storytelling, but the problem with clich
Touching on universality is an important part of effective storytelling, but the problem with clich
Touching on universality is an important part of effective storytelling, but the problem with clich
Touching on universality is an important part of effective storytelling, but the problem with clich
Touching on universality is an important part of effective storytelling, but the problem with clich
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Miguel Syjuco:
Postmodernism was a reaction to modernism. Where modernism was about objectivity, postmodernism wasMiguel Syjuco:
The immigrant experience in 'Ilustrado' was only a small part of what I intended to be a broader loMiguel Syjuco:
I have no illusions that my work can rouse the masses to create change, because literature simply dMiguel Syjuco:
I read a blog about this young filmmaker in the Philippines who made a short film, and one of the cMiguel Syjuco:
I want to write a book that makes people debate, and makes people think, interact with each other aMiguel Syjuco:
I don't believe in nationalism. I think it's a bunch of slogans. It's a bunch of poor attempts at cMiguel Syjuco:
The Philippines, it has a politics of patronage. Family and favors, in addition to the old cliche oMiguel Syjuco:
I grew up with a very privileged background. My father served as one of the cabinet ministers in ArMiguel Syjuco:
When you live in the Philippines or a country like that, you develop something of a very thick skinMiguel Syjuco:
I don't see myself as any different from all the other Filipinos who have gone abroad looking for o