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Unfortunately for critics and audiences alike, I have made several films, and some films with reall
Unfortunately for critics and audiences alike, I have made several films, and some films with reall
Unfortunately for critics and audiences alike, I have made several films, and some films with reall
Unfortunately for critics and audiences alike, I have made several films, and some films with reall
Unfortunately for critics and audiences alike, I have made several films, and some films with reall
Unfortunately for critics and audiences alike, I have made several films, and some films with reall
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James Gray:
I continually marvel at people who can make films that reach five hundred million people. How do yoJames Gray:
I know this sounds phony, but I don't start out on a project going, 'I'm going to make an emotionalJames Gray:
What a director really does is set the emotional temperature and the mood and the level, amount, orJames Gray:
I went to see 'Star Trek Into Darkness,' and J.J. Abrams, who's a friend of mine, made this film, aJames Gray:
The idea that the family is this locus of support but can also hold you back and keep you down makeJames Gray:
There's never really been a tradition of making films about Jewish themes or using Judaism as a conJames Gray:
I suppose I'm always trying to break down the wall between my characters and myself. I'm trying toJames Gray:
The key to humor is often self-loathing or sarcasm. In a sense, that's how self-loathing is made paJames Gray:
The closer you can get to being personal, the better the work is, or the more interesting the workJames Gray:
My grandparents, they came through Ellis Island in 1923, and you know, I'd heard all the stories.