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Until we know how many women own businesses, we may under-invest in them as entrepreneurs and econo
Until we know how many women own businesses, we may under-invest in them as entrepreneurs and econo
Until we know how many women own businesses, we may under-invest in them as entrepreneurs and econo
Until we know how many women own businesses, we may under-invest in them as entrepreneurs and econo
Until we know how many women own businesses, we may under-invest in them as entrepreneurs and econo
Until we know how many women own businesses, we may under-invest in them as entrepreneurs and econo
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Branford Marsalis:
It's something that jazz has gotten away from, and it's unfortunate. Players aren't physical anymorBranford Marsalis:
If you listen to a lot of the songs that are popular now, there's very little melody in there. PeopBranford Marsalis:
Pop doesn't really look back. It can't. What makes pop work is simplicity.Branford Marsalis:
The whole point is, give me a break with the standards. You go to the average jazz label and suggesBranford Marsalis:
If you're going to use standards as criteria for signing musicians, you can sign thousands. If you'Branford Marsalis:
There's not one Tin Pan Alley song on my record.Branford Marsalis:
My dad was a musician, it was just what he did, like another guy's dad drives a meat truck. Our houBranford Marsalis:
Humans are imperfect. That's one of the reasons that classical and jazz are in trouble. We're on thBranford Marsalis:
The lion's share of what I hear right now are people who, intentional or accidental, have avoided aBranford Marsalis:
I'm not going to play funk licks on a jazz album. That makes no sense.