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Video artists being at the low end of the totem pole economically, one of the ways we survive is to
Video artists being at the low end of the totem pole economically, one of the ways we survive is to
Video artists being at the low end of the totem pole economically, one of the ways we survive is to
Video artists being at the low end of the totem pole economically, one of the ways we survive is to
Video artists being at the low end of the totem pole economically, one of the ways we survive is to
Video artists being at the low end of the totem pole economically, one of the ways we survive is to
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Bill Viola:
In the 1970s, a lot of critics didn't understand video. I got a lot of bad reviews. But film-makersBill Viola:
I would prefer to be forgotten, then rediscovered in a different age.Bill Viola:
I came of age at the end of the 1960s, just when video was also coming into the world. Companies suBill Viola:
The human brain is probably one of the most complex single objects on the face of the earth; I thinBill Viola:
I think we're in an age where artists really have an incredible range of materials at their commandBill Viola:
You are just as qualified as any expert to make a judgment and have a feeling or a response to anyBill Viola:
When you come into my pieces, it's not an intellectual experience, it's a physical experience. It'sGloria Naylor:
Old as she was, she still missed her daddy sometimes.Gloria Naylor:
One should be able to return to the first sentence of a novel and find the resonances of the entireGloria Naylor:
I don't believe that life is supposed to make you feel good, or make you feel miserable either. Lif