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We have thought carefully about how our use of typography, colour, and images can support and enhan
We have thought carefully about how our use of typography, colour, and images can support and enhan
We have thought carefully about how our use of typography, colour, and images can support and enhan
We have thought carefully about how our use of typography, colour, and images can support and enhan
We have thought carefully about how our use of typography, colour, and images can support and enhan
We have thought carefully about how our use of typography, colour, and images can support and enhan
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Katharine Viner:
'Guardian' journalism itself will remain what it has always been: thoughtful, progressive, fiercelyKatharine Viner:
After working at the 'Guardian' for two decades, I feel I know instinctively why it exists. Most ofKatharine Viner:
During the Second Boer War, from 1899 to 1902, Britain was rampantly jingoistic: anyone who opposedKatharine Viner:
Making sense of a political moment when you're in the midst of it is difficult: even if you avoid cKatharine Viner:
At a moment when people are losing faith in their ability to participate in politics and make themsKatharine Viner:
Being editor-in-chief of the 'Guardian' and 'Observer' is an enormous privilege and responsibility,Katharine Viner:
My friendship with the great actor and director Alan Rickman did not have a particularly auspiciousKatharine Viner:
The web has changed the way we organise information in a very clear way: from the boundaried, solidKatharine Viner:
A newspaper is complete. It is finished, sure of itself, certain. By contrast, digital news is consKatharine Viner:
Digital is not about putting up your story on the web. It's about a fundamental redrawing of journa