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What I do not accept is the fact that so many people's talents were ripped off.
What I do not accept is the fact that so many people's talents were ripped off.
What I do not accept is the fact that so many people's talents were ripped off.
What I do not accept is the fact that so many people's talents were ripped off.
What I do not accept is the fact that so many people's talents were ripped off.
What I do not accept is the fact that so many people's talents were ripped off.
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Ruben Blades:
They're making a ton of money, and no one is getting a nickel.Ruben Blades:
In those days the big U.S. labels didn't have any particular interest in the Latin market.Ruben Blades:
Every band had their own distinctive sound, but it was pretty much dancing music and rhythmic musicRuben Blades:
I was the first person to come into New York with a Latin American point of view which was also verRuben Blades:
So that I saw music as a way of documenting realities from the urban cities of Latin America.Ruben Blades:
The grandmother, the mother, the worker, the student, the intellectual, the professional, the unempRuben Blades:
I decided we should book ourselves, so I started booking the band.Stewart Copeland:
I'd rather duplicate it myself. Another of our favourite techniques.Stewart Copeland:
And the general opinion is we are much better on stage than in the studio.Stewart Copeland:
So I suppose that means we can actually play the instruments.