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What we are trying to do now, this new generation of African writers, is to write about what it is
What we are trying to do now, this new generation of African writers, is to write about what it is
What we are trying to do now, this new generation of African writers, is to write about what it is
What we are trying to do now, this new generation of African writers, is to write about what it is
What we are trying to do now, this new generation of African writers, is to write about what it is
What we are trying to do now, this new generation of African writers, is to write about what it is
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Petina Gappah:
I speak English. I dream in it. I cannot separate my English from my Shona; I see the world with thPetina Gappah:
It was one of those early mid-life crises, really. I started asking myself, 'What is it that I wantPetina Gappah:
I'm not even sure that I want to go back... The Zimbabwe that I really loved, the Zimbabwe that I gPetina Gappah:
Only al-Jazeera is allowed to report from Zimbabwe, but it is unwatchable. Their Zimbabwean reportePetina Gappah:
Ian Smith thought his Rhodesia would last 1,000 years: it lasted less than 15.Petina Gappah:
The painful truth may be that Zimbabwe, the youngest of Africa's former colonies, has simply followPetina Gappah:
The struggle for Zimbabwe lit up the imagination of people around the world. In London, New York, APetina Gappah:
On April 18, 1980, the last outpost of empire in Africa died. From Rhodesia's ashes rose a countryPetina Gappah:
I always say to people that Zimbabweans are the funniest people in Africa; we even laugh at funeralPetina Gappah:
People always ask me how I manage to find humor in so much bleakness. I think this is almost a nece