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What you want to do is, you want to get away from people being afraid to show their work, which is
What you want to do is, you want to get away from people being afraid to show their work, which is
What you want to do is, you want to get away from people being afraid to show their work, which is
What you want to do is, you want to get away from people being afraid to show their work, which is
What you want to do is, you want to get away from people being afraid to show their work, which is
What you want to do is, you want to get away from people being afraid to show their work, which is
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Dennis Muren:
I've done enough of this that I can tell early on if it's going in the wrong direction or not.Dennis Muren:
So much of it is the design of the shot or the motion of the character; it's the work you do so thaDennis Muren:
I'm always reaching for something we really haven't done, and War of the Worlds has a lot of this sDennis Muren:
And then you start getting into the technical side of it and the aesthetic side and with those areaDennis Muren:
But you don't hire Ang Lee to do a typical children's movie. But it's such an interesting combinatiDennis Muren:
Everyone is trying to do something that hasn't been done and that's a really good thing. You can onDennis Muren:
You know a lot of what worked on this was taken from Harry Potter 2, the little Doby character, weDennis Muren:
To me the biggest breakthrough was when we did Terminator 2 that just opened the door for JurassicDennis Muren:
I see the tool set being the same and maybe doing virtual movies and that's fine for some stories bDennis Muren:
I just focus on one show, when this is over then I'll start looking at what is coming up.