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When I first started submitting my work professionally - and we're talking years and years ago - I
When I first started submitting my work professionally - and we're talking years and years ago - I
When I first started submitting my work professionally - and we're talking years and years ago - I
When I first started submitting my work professionally - and we're talking years and years ago - I
When I first started submitting my work professionally - and we're talking years and years ago - I
When I first started submitting my work professionally - and we're talking years and years ago - I
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Tom Rachman:
When I left Toronto and entered journalism in the late 1990s, I had many notions about the news busTom Rachman:
I had pictured journalism as I'd seen it in the most ennobling films, where the reporter battles foTom Rachman:
My own career started in New York at the 'Associated Press', a fast-paced news agency where we rareTom Rachman:
That's a paradox I've noticed, too: The news business held little romance for me, yet writing aboutTom Rachman:
My parents used to rent old movies - my whole childhood is in black and white - and it was my dreamTom Rachman:
I went to the University of Toronto to study the history and theory of film, in the back of my mindTom Rachman:
The strength of fiction is not in reading about yourself, but in reading about other people.Tom Rachman:
I hadn't been a particularly precocious reader, but everybody else in my family was.Tom Rachman:
Journalists who are devoted to strictly factual reporting take particular pleasure from satirical nTom Rachman:
The way I found time to write 'The Imperfectionists' was that I took work as a copy editor at the '