When I started, I was aware of using the black as a rhetorical device. It's understanding that black people come in a wide range of colors, but you find instances in a lot of black literature in which the blackness is used as a metaphor. In some places, you can find an extreme blackness used as a descriptive.
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Kerry James Marshall:
Abstraction and representation are supposed to be going down two very different paths, one sociologKerry James Marshall:
I used to always say - and I think a lot of artists think of it this way - that when you see a blacKerry James Marshall:
Blackness has always been stigmatised, even amongst black people who flee from the density of thatKerry James Marshall:
In Western Catholicism, darkness was evil. In the colonial and imperial context, dark skin was alwaKerry James Marshall:
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You don't see black people winning Nobel prizes for physics or economics or any of the industries oKerry James Marshall:
I have been a stalwart advocate for the legacy of Charles White. I have said it so often, it couldKerry James Marshall:
A close friend of mine described me as a radical pragmatist. I embrace this no-nonsense distinctionKerry James Marshall:
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Every step on my way to becoming an artist seemed preordained. The right people were always in the