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When I was young as a teenager, that was the biggest mystery in the world to me: Why don't people c
When I was young as a teenager, that was the biggest mystery in the world to me: Why don't people c
When I was young as a teenager, that was the biggest mystery in the world to me: Why don't people c
When I was young as a teenager, that was the biggest mystery in the world to me: Why don't people c
When I was young as a teenager, that was the biggest mystery in the world to me: Why don't people c
When I was young as a teenager, that was the biggest mystery in the world to me: Why don't people c
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Makoto Shinkai:
In daily or everyday life, I am so impressed with tiny details, like when I look up at a street lamMakoto Shinkai:
I pay attention to the things that nobody else is looking at.Makoto Shinkai:
You learn a lot more from stories about getting rejected than stories about becoming happy.Makoto Shinkai:
Of course I'm happy when people mention his name and mine in the same breath. It's like a dream. BuMakoto Shinkai:
I think that's a universal theme, you know: we don't know who we're going to meet tomorrow. And thaMakoto Shinkai:
When we have a disaster in Japan, I wonder, how can we prevent our lives and traditions and historyMakoto Shinkai:
I grew up in the countryside and wanted to go to Tokyo. I had Tokyo complex.Makoto Shinkai:
Some people say, 'Well you're a man; how do you write about women or girls when you don't know abouMakoto Shinkai:
I have never really sensed any of Miyazaki's artistic influence on Ando. If there is an influence,Makoto Shinkai:
When Ando arrives in the studio, he picks up his pen even before he gets a cup of tea, and he stays