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When I went to school, there were no Black philosophers, at least none that I was aware of, who wer
When I went to school, there were no Black philosophers, at least none that I was aware of, who wer
When I went to school, there were no Black philosophers, at least none that I was aware of, who wer
When I went to school, there were no Black philosophers, at least none that I was aware of, who wer
When I went to school, there were no Black philosophers, at least none that I was aware of, who wer
When I went to school, there were no Black philosophers, at least none that I was aware of, who wer
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Walter Mosley:
My father always taught by telling stories about his experiences. His lessons were about morality aWalter Mosley:
All of the philosophers I studied were white (with a few Eastern exceptions), and, for that matter,Walter Murch:
Film editing is now something almost everyone can do at a simple level and enjoy it, but to take itWalter Murch:
I think every age has a medium that talks to it more eloquently than the others. In the 19th centurWalter Murch:
This applies to many film jobs, not just editing: half the job is doing the job, and the other halfWalter Murch:
When I'm actually assembling a scene, I assemble it as a silent movie. Even if it's a dialog scene,Walter Murch:
You can always make a film somehow. You can beg, borrow, steal the equipment, use credit cards, useWalter Murch:
The word processor is a better tool than a quill pen because you can do so much more with it, but oWalter Murch:
'The Conversation' was the first film I edited on a flatbed machine - a KEM editing machine. I've bWalter Murch:
Every film is hard work, and a few lucky people do get Oscars for what they do, and it's recognitio