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When we started there was this element of these experiments we were doing where we weren't really s
When we started there was this element of these experiments we were doing where we weren't really s
When we started there was this element of these experiments we were doing where we weren't really s
When we started there was this element of these experiments we were doing where we weren't really s
When we started there was this element of these experiments we were doing where we weren't really s
When we started there was this element of these experiments we were doing where we weren't really s
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Wayne Coyne:
We made music that wouldn't be in synch.Wayne Coyne:
Most music that you hear is in synch with itself. We were experimenting with the music falling outWayne Coyne:
We never thought it would be something everyone would listen to. We never thought people who listenWayne Coyne:
People have given me the freedom and believe in me enough to say if I want to do these things thatWayne Coyne:
It really is no different in the way that we make records and shoot music videos. I don't think ofWayne Coyne:
I knew she was from Australia and I knew that is where she started but I didn't know if she was stiWayne Coyne:
When we went to cover it I thought we would change it to a song of loving and longing instead of thWayne Coyne:
Even in the beginning, when we knew there was a legal argument about how much our song sounds likeWayne Coyne:
There is a lot of melody and things that sound familiar in hundreds of songs.Wayne Coyne:
If you have a song that you think sounds like another song you should contact the publishing compan