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When you make the decision to call somebody out of the blue and say you want to talk to them about
When you make the decision to call somebody out of the blue and say you want to talk to them about
When you make the decision to call somebody out of the blue and say you want to talk to them about
When you make the decision to call somebody out of the blue and say you want to talk to them about
When you make the decision to call somebody out of the blue and say you want to talk to them about
When you make the decision to call somebody out of the blue and say you want to talk to them about
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Keith Maitland:
I read Pamela Colloff's oral history about the campus shooting, '96 Minutes,' when it was first pubKeith Maitland:
As a documentary filmmaker, I try to be sensitive to my subjects.Keith Maitland:
When I reach out to people to ask them to be involved in anything I shoot, I want them to want to sKeith Maitland:
As far as documentaries, 'Man on Wire,' 'Atomic Cafe,' 'Waltz With Bashir,' and 'Thin Blue Line' alKeith Maitland:
I love SXSW. I've made three films; they've all premiered at SXSW.Keith Maitland:
My first night in Austin was at SXSW in 1994 when I was a senior in high school. I came here for spKeith Maitland:
New York is incredible, but I never felt a part of a community.Keith Maitland:
In Austin, you work in anything that will pay and a lot of things that don't. The documentary filmmKeith Maitland:
Yes, I realize when I'm reaching out to people and asking them to talk about the most traumatic thiKeith Maitland:
I've always been intrigued by questions of perception and identity-building, specifically how teens