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With a lot of action scores, you're competing with a lot of noise. Say there's a big explosion: the
With a lot of action scores, you're competing with a lot of noise. Say there's a big explosion: the
With a lot of action scores, you're competing with a lot of noise. Say there's a big explosion: the
With a lot of action scores, you're competing with a lot of noise. Say there's a big explosion: the
With a lot of action scores, you're competing with a lot of noise. Say there's a big explosion: the
With a lot of action scores, you're competing with a lot of noise. Say there's a big explosion: the
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Steven Price:
I go into the whole composer thing quite open to keep on going and keep on trying different thingsSteven Price:
In the mid-2000s, I kind of accidentally became a music editor.Steven Price:
A lot of the music editing job is communication and working out what a director really wants the muSteven Price:
When I was growing up, I loved the films where you'd start them and the score might sound really odSteven Price:
I worry about technical details - did I mix the cello half a decibel too high? Things like that.Steven Price:
My house was full of music. My main memories are of the record player at home: it was all Beatles aSteven Price:
I like expansive stuff that has a lot of space in it, like some of the early Pink Floyd albums.Steven Price:
The realisation that, depending on where we changed from one note to the next in a melodic line, thSteven Price:
It's true, most of my days are spent alone in a dark room! I don't really want anyone to see me trySteven Price:
For me, anything can be music! I can get huge enjoyment and be moved totally by the purity and perf