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Wolfgang Tillman's stunning large-scale pictures, being shown for the first time, were so offhand I
Wolfgang Tillman's stunning large-scale pictures, being shown for the first time, were so offhand I
Wolfgang Tillman's stunning large-scale pictures, being shown for the first time, were so offhand I
Wolfgang Tillman's stunning large-scale pictures, being shown for the first time, were so offhand I
Wolfgang Tillman's stunning large-scale pictures, being shown for the first time, were so offhand I
Wolfgang Tillman's stunning large-scale pictures, being shown for the first time, were so offhand I
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Jerry Saltz:
John Currin's exaggerated realism and his twisted women kept me off balance, never knowing if theyJerry Saltz:
I don't often go to curator or artist walk-throughs of exhibitions. For a critic, it feels like cheJerry Saltz:
When people in stadiums do the Wave, it's the group-mind collective organism spontaneously organiziJerry Saltz:
Probably only an art-worlder like me could assign deeper meaning to something as simple and silly aJerry Saltz:
Of all the biennials, triennials, quadrennials, internationals, and massive group shows, Documenta,Jerry Saltz:
Galleries began growing in both number and size in the late seventies, when artists who worked in lJerry Saltz:
Rumors sound of galleries asking artists for upsized art and more of it. I've heard of photographerJerry Saltz:
There's something pleasing about large, well-lit spaces. I love that dealers are willing to take maJerry Saltz:
First let me report that the art in the Barnes Collection has never looked better. My trips to theJerry Saltz:
When art wins, everyone wins.