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Writing a novel is not at all like riding a bike. Writing a novel is like having to redesign a bike
Writing a novel is not at all like riding a bike. Writing a novel is like having to redesign a bike
Writing a novel is not at all like riding a bike. Writing a novel is like having to redesign a bike
Writing a novel is not at all like riding a bike. Writing a novel is like having to redesign a bike
Writing a novel is not at all like riding a bike. Writing a novel is like having to redesign a bike
Writing a novel is not at all like riding a bike. Writing a novel is like having to redesign a bike
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Daniel Alarcon:
It's true that there are people who live the idea of being an artist, as opposed to the idea of makDaniel Alarcon:
Peru is a country where more than half the people would emigrate if given the chance. That's half tDaniel Alarcon:
How emigration is actually lived - well, this depends on many factors: education, economic station,Daniel Alarcon:
I do feel fortunate to have some knowledge of the great Latin American writers, including some thatDaniel Alarcon:
I began visiting Lima's prisons back in 2007, when my first novel, 'Lost City Radio,' was publishedDaniel Alarcon:
For fiction, I'm not particularly nationalistic. I'm not like the Hugo Chavez of Latin American letDaniel Alarcon:
I think probably the thing I'm worst at is the most ephemeral stuff, like blogs. I find it really hDaniel Alarcon:
I love the novel because it's like a love affair. You can just fall into it and keep going, and youDaniel Alarcon:
I like radio because you can do an hour-long interview and then three days later have a finished piDaniel Alarcon:
As a boy, I wanted to be the Peruvian Diego Maradona. Sadly, Peru hasn't made the World Cup since 1