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Writing about conflict has provided these dramatic opportunities to talk about really substantial m
Writing about conflict has provided these dramatic opportunities to talk about really substantial m
Writing about conflict has provided these dramatic opportunities to talk about really substantial m
Writing about conflict has provided these dramatic opportunities to talk about really substantial m
Writing about conflict has provided these dramatic opportunities to talk about really substantial m
Writing about conflict has provided these dramatic opportunities to talk about really substantial m
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Doug Stanton:
I don't think it's healthy to have 68-year-old men, 70-year-old men thinking regularly about a trauDoug Stanton:
Each summer, as Lake Michigan finally begins to warm, I think of the men of the World War II cruiseDoug Stanton:
When I first met the survivors of the Indianapolis in 1999 while writing a book about them, their sDoug Stanton:
When I look at Lake Michigan each July, I imagine the men of the Indianapolis visible on the horizoDoug Stanton:
Winters are so long in northern Michigan - nearly nine months of gray skies and deep snow - that suDoug Stanton:
Traverse City sits halfway between the North Pole and the Equator, and our summer days are long. ThDoug Stanton:
Most audiences are being attracted to '12 Strong' because of what they might expect to see from a mDoug Stanton:
Robert Frost had a house in Bennington, Vermont, and I had a friend, the poet Mary Ruefle, who wasDoug Stanton:
Instead of large-scale occupations, we should rely on small units of Special Forces who have provedDoug Stanton:
I'm really interested in how people face existential crises and either overcome them or don't, and