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Writing about identity can be like maneuvering through a minefield, even when considering contempor
Writing about identity can be like maneuvering through a minefield, even when considering contempor
Writing about identity can be like maneuvering through a minefield, even when considering contempor
Writing about identity can be like maneuvering through a minefield, even when considering contempor
Writing about identity can be like maneuvering through a minefield, even when considering contempor
Writing about identity can be like maneuvering through a minefield, even when considering contempor
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William J. Mann:
Elizabeth Taylor was the first star for whom an offscreen narrative was equally as important as anWilliam J. Mann:
'Dark Shadows' was the spark that lit the fire of my childhood imagination. It wasn't polished; itWilliam J. Mann:
With its missed lines and falling tombstones, 'Dark Shadows' was sometimes inadvertently funny, butWilliam Jackson:
When I was nine years old I use to copy - not trace - the covers of the Donald Duck comics. Many yeWilliam Jackson:
The journalism school helped me develop writing skills, and I had been enjoying cartooning from a vWilliam Jackson:
I pitched my last children's show presentation in the mid 1980's. The era of locally produced childWilliam Jackson:
I would not have done much differently, but I would have loved to have done everything better. TheWilliam Jackson:
I have no idea how to become successful in children's tv programming today other than to say that wWilliam Jackson:
I'm not up on today's television for children, because it's mostly cartoons that don't seem to inteWilliam Jackson:
The puppet characters were combinations of people I had known and to some degree aspects of my own