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Yeah, well when I first started working, it was $5 a show; it was probably a little higher by the t
Yeah, well when I first started working, it was $5 a show; it was probably a little higher by the t
Yeah, well when I first started working, it was $5 a show; it was probably a little higher by the t
Yeah, well when I first started working, it was $5 a show; it was probably a little higher by the t
Yeah, well when I first started working, it was $5 a show; it was probably a little higher by the t
Yeah, well when I first started working, it was $5 a show; it was probably a little higher by the t
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Jim Henson:
Yeah, I think we did the term Muppets before we got the show Sam and Friends - a few months after IJim Henson:
But with The Dark Crystal, instead of puppetry we're trying to go toward a sense of realism - towarJim Henson:
It's into the same bag as E.T. and Yoda, wherein you're trying to create something that people willJim Henson:
You're assisting the audience to understand; you're giving them a bridge or an access. And if you dJim Henson:
When I was a kid, I never saw a puppet show. I never played with puppets or had any interest in theJim Henson:
Yeah, we pretty much had a form and a shape by that time - a style - and I think one of the advantaJim Henson:
I was very interested in theatre, mostly in stage design. I did a little bit of acting.Jim Henson:
Yeah, I did some small parts in high school and the first year of college and then fairly soon therJim Henson:
At the University of Maryland, my first year I started off planning to major in art because I was iJim Henson:
Well, Detroit Institute is kind of a key - probably the largest permanent collection of puppets in