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You always want to come back with an image that's interesting visually, and you hope to get somethi
You always want to come back with an image that's interesting visually, and you hope to get somethi
You always want to come back with an image that's interesting visually, and you hope to get somethi
You always want to come back with an image that's interesting visually, and you hope to get somethi
You always want to come back with an image that's interesting visually, and you hope to get somethi
You always want to come back with an image that's interesting visually, and you hope to get somethi
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Anton Corbijn:
I don't have lights, I don't have assistants, I just go and meet somebody and take a photograph. ThAnton Corbijn:
'Control' had to do with my own life a lot, and that's why that seemed to be a film I could be theAnton Corbijn:
Mandela is just the eternal man. You want that man to be around forever. It's the closest thing weAnton Corbijn:
I didn't really know how to make a film when I made 'Control'. I had to create my own language, jusAnton Corbijn:
Directing film is the hardest thing I have ever done.Anton Corbijn:
I don't like fast editing.Anton Corbijn:
I love body language.Anton Corbijn:
For many years I wanted to do a film, but I never had the courage to clear my desk and say, 'OK I'lAnton Corbijn:
I'm not educated as a filmmaker, so it's quite a jump for me.Anton Corbijn:
If you're an artist, it's OK to put your money into your art. The advantage, in hindsight, is that