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You can imagine sitting in a room for three days talking about comic books, eight hours a day. It g
You can imagine sitting in a room for three days talking about comic books, eight hours a day. It g
You can imagine sitting in a room for three days talking about comic books, eight hours a day. It g
You can imagine sitting in a room for three days talking about comic books, eight hours a day. It g
You can imagine sitting in a room for three days talking about comic books, eight hours a day. It g
You can imagine sitting in a room for three days talking about comic books, eight hours a day. It g
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Jason Aaron:
I didn't get into comics as a stepping stone.Jason Aaron:
I'm happy I can sit home in my office and make up stories about superheroes. And I only have to deaJason Aaron:
Thankfully, I have a job where it does not matter in the least what I look like.Jason Aaron:
Hopefully I'm learning a lesson from every new thing I write, whether it features guys in spandex oJason Aaron:
The first big long-form work I did in comics was 'Scalped' for Vertigo, which ran for 60 issues.Jason Aaron:
'Scalped' No. 1 was only the third comic script I'd ever written. I really learned a lot about writJason Aaron:
You gotta trust your artist. I love writing pages without dialogue, which seems weird, I guess. ButJason Aaron:
For me, especially with the villain, it's not very interesting to write a guy who is just 100% bad.Jason Aaron:
To me, the more interesting villains are the ones you can, in some sense, relate to or sympathize wAnthony Hamilton:
Being a barber is about taking care of the people.