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You have to look out for becoming trapped in a place where people want to see you all the time doin
You have to look out for becoming trapped in a place where people want to see you all the time doin
You have to look out for becoming trapped in a place where people want to see you all the time doin
You have to look out for becoming trapped in a place where people want to see you all the time doin
You have to look out for becoming trapped in a place where people want to see you all the time doin
You have to look out for becoming trapped in a place where people want to see you all the time doin
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Lucy Liu:
You can't look back; you have to keep looking forward.Lucy Liu:
Working on the Samurai sword is very different because your body position has to be very still. It'Lucy Liu:
Women who wear kimonos, when the fight, they have to keep their knees together, and when they use aLucy Liu:
Women like to watch women fight because it makes them feel sort of empowered physically and mentallLucy Liu:
When you work with chains or any kind of weapons, or just when you're using hand-to-hand combat, yoLucy Liu:
They were concerned about the racial issue. They thought it was not a safe issue to go Asian, unforLucy Liu:
The neck is kind of what's sexy in Japan, so you have to have the kimono a little bit back. It wasLucy Liu:
Since we didn't use guns, we wanted to make sure we could earn the ability to win the audience overLucy Liu:
People use location as a language in films, and Quentin uses action as a language in his films. TheLucy Liu:
Once you embody the language, the character comes really naturally, especially when you put the cos