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You hope to catch the band on a good night and you hope that it sounds good when you hear the tapes
You hope to catch the band on a good night and you hope that it sounds good when you hear the tapes
You hope to catch the band on a good night and you hope that it sounds good when you hear the tapes
You hope to catch the band on a good night and you hope that it sounds good when you hear the tapes
You hope to catch the band on a good night and you hope that it sounds good when you hear the tapes
You hope to catch the band on a good night and you hope that it sounds good when you hear the tapes
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Jenny Scheinman:
Instrumental music can be about anything. It's about a mood, and I usually title my instrumental soJenny Scheinman:
I've always gone into the studio with a very clear understanding of a song, of the words or, if it'Jenny Scheinman:
Think how different it is to experience a word than a sound. When you're hearing a singer, you're cJenny Scheinman:
I always play songs that are very based in folk music.Jenny Scheinman:
All the Jewish tradition I had came from my grandmother, who grew up in Palestine and eloped with mJenny Scheinman:
I'm one of those people who says 'Yes' to everything, and in New York, that's a real liability. InJenny Scheinman:
My songs are somewhere between story and situation. There's also character and mood. I'm an intuitiJenny Scheinman:
I'm a folk artist at heart.Jenny Scheinman:
The opening of 'There Will Be Blood' with that score and then deafening silence was memorable.Jenny Scheinman:
There is one live track on the album, 'Einsamaller,' and that had a conductor - Eyvind Kang.