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You know, essentially when you do a play you're reinterpreting a work of art that already exists. T
You know, essentially when you do a play you're reinterpreting a work of art that already exists. T
You know, essentially when you do a play you're reinterpreting a work of art that already exists. T
You know, essentially when you do a play you're reinterpreting a work of art that already exists. T
You know, essentially when you do a play you're reinterpreting a work of art that already exists. T
You know, essentially when you do a play you're reinterpreting a work of art that already exists. T
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Sydney Pollack:
With a movie you're creating from the beginning this particular work, let's not call it work of artSydney Pollack:
I mean, certainly it's the single biggest event, I think, in terms of popular entertainment, or artSydney Pollack:
Every single art form is involved in film, in a way.Sydney Pollack:
I mean, certainly writing, painting, photography, dance, architecture, there is an aspect of almostSydney Pollack:
Film is a collective experience, as you know.Sydney Pollack:
You are not an active creator of the film.Sydney Pollack:
Burt Lancaster was largely responsible for me becoming a director.Sydney Pollack:
I mean, I don't know anything else that I would try to do, but it's a very frustrating thing to do,Sydney Pollack:
I personally have never made a movie in Hollywood, because I don't want to get up in my own bed andSydney Pollack:
But, I've made films in Japan, in Yugoslavia, all over Europe, all over the United States, Mexico,