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You know, there're no rules between Russell and I. We don't want to have to have to talk too much,
You know, there're no rules between Russell and I. We don't want to have to have to talk too much,
You know, there're no rules between Russell and I. We don't want to have to have to talk too much,
You know, there're no rules between Russell and I. We don't want to have to have to talk too much,
You know, there're no rules between Russell and I. We don't want to have to have to talk too much,
You know, there're no rules between Russell and I. We don't want to have to have to talk too much,
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Benny Green:
I'm glad you asked that question, because of any musical situation I've been in, the communicationBenny Green:
Like Russell, I enjoy the fact that when I'm playing solo, if I want to do something completely spoBenny Green:
I'm naturally going to react to that and he'll bring out elements in my musical character that wereBenny Green:
I have similar feelings, actually. The intimacy of a club: you can see the people, you can almost fBenny Green:
Just to be around that, to feel a part of it and be able to integrate the experience while I was wiBenny Green:
Art was carrying me a lot of the time. When you're accustomed to playing with Art, and you play witBenny Green:
He would catapult you forward, and that was his intention with the Jazz Messengers. He would take yBenny Green:
Actually, I've had very little classical training, although I love listening to classical music verBenny Green:
The first jazz pianist I heard was Thelonious Monk. My father was listening to an album of his callBenny Green:
Prior to that, I had associated this music with older people, like my father.