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You start blocking out things, and that's a really important part of taking a picture is the abilit
You start blocking out things, and that's a really important part of taking a picture is the abilit
You start blocking out things, and that's a really important part of taking a picture is the abilit
You start blocking out things, and that's a really important part of taking a picture is the abilit
You start blocking out things, and that's a really important part of taking a picture is the abilit
You start blocking out things, and that's a really important part of taking a picture is the abilit
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Sally Mann:
I work all the time. I never leave home. I mean, I just stay honed in on what's ahead.Sally Mann:
I'm just the opposite of a lot of photographers who want everything to be really, really sharp. AndSally Mann:
When you look at your life as an artist, you do see that when you get to be 60, you're coming - thiSally Mann:
It's not a lack of confidence, because I can't argue with the fact that I've taken some good picturSally Mann:
When we were on the farm, we were isolated, not just by geography but by the primitive living condiSally Mann:
Though I made my share of mistakes, as all parents do, I was devoted to my kids. I walked them to sSally Mann:
I baked bread, hand-ground peanuts into butter, grew and froze vegetables, and, every morning, packSally Mann:
Maintaining the dignity of my subjects has grown to be, over the years, an imperative in my work, bSally Mann:
I'd park myself in the bookstore and read with one eye on everyone coming in. I remember reading aSally Mann:
I have three libraries. As a gift, a friend alphabetized and organized my main library of novels, h