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You're allowed to make things for women on television and there's not like... you don't have to go
You're allowed to make things for women on television and there's not like... you don't have to go
You're allowed to make things for women on television and there's not like... you don't have to go
You're allowed to make things for women on television and there's not like... you don't have to go
You're allowed to make things for women on television and there's not like... you don't have to go
You're allowed to make things for women on television and there's not like... you don't have to go
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Callie Khouri:
When you look around right now, Nashville is kind of going through another changing of guard; you'rCallie Khouri:
I love to start characters in a place where you think you know them. We can make all kinds of assumCallie Khouri:
One of the reasons I wanted to do a show about Nashville in Nashville was because when I lived hereCallie Khouri:
The movie I've watched a million times is 'A Face in the Crowd,' directed by Elia Kazan, starring ACallie Khouri:
When people know I wrote 'Thelma and Louise,' they don't want to mess with me.Callie Khouri:
Whenever I've seen shows or films set here, they just don't feel like the real Nashville to me.Callie Khouri:
I think this happens to a lot of people, men and women, where you reach a point in your life and alCallie Khouri:
One of the magical things about Nashville is just how many incredibly talented people are here andCallie Khouri:
Nashville is the place where I first realized how impossible it is to look at someone and know whatCallie Khouri:
I think of feminism as more of a political ideology.