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That would be getting up at 5 am... I don't understand why film's shoot such brutal hours. I think
That would be getting up at 5 am... I don't understand why film's shoot such brutal hours. I think
That would be getting up at 5 am... I don't understand why film's shoot such brutal hours. I think
That would be getting up at 5 am... I don't understand why film's shoot such brutal hours. I think
That would be getting up at 5 am... I don't understand why film's shoot such brutal hours. I think
That would be getting up at 5 am... I don't understand why film's shoot such brutal hours. I think
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Terry Zwigoff:
I was inspired to do anything I could to get out of what I was doing... today, I'm motivated to payTerry Zwigoff:
Whereas my producer literally worked on this thing for 10 years and because I gave that presenter cTerry Zwigoff:
I think the other misconceptions when the film came out, he was very upset that it was so widely reTerry Zwigoff:
Luckily, he was in the process of moving to France at the time, anyway. But if he had stayed in theTerry Zwigoff:
Because I found myself telling the story of his family to people without the visual aids that I wasTerry Zwigoff:
And I sense it was a rather constructed, almost half narrative fiction film in some ways. A lot ofTerry Zwigoff:
Well, that was certainly - to me, until we could film in Charles' room, I didn't even want to botheTerry Zwigoff:
So I told Robert from the start that if we couldn't get Charles and Max to take part, but especiallTerry Zwigoff:
The things I want to make into a film, they're personal, esoteric things, and I don't expect anyoneTerry Zwigoff:
I'm not trying to be self-serving, but you know, you get to Hollywood, and if you want to make some