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The first stone was just tried in the spirit of experimentation. The opening of the stone was far m
The first stone was just tried in the spirit of experimentation. The opening of the stone was far m
The first stone was just tried in the spirit of experimentation. The opening of the stone was far m
The first stone was just tried in the spirit of experimentation. The opening of the stone was far m
The first stone was just tried in the spirit of experimentation. The opening of the stone was far m
The first stone was just tried in the spirit of experimentation. The opening of the stone was far m
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Andy Goldsworthy:
The early firings contained many stones.Andy Goldsworthy:
The stones tear like flesh, rather than breaking. Although what happens is violent, it is a violencAndy Goldsworthy:
Fire is the origin of stone. By working the stone with heat, I am returning it to its source.Andy Goldsworthy:
The hardened mass of liquid stones had much stronger qualities than those which had simply torn. ThAndy Goldsworthy:
I did tests on small stones before collecting and committing myself to the larger ones.Andy Goldsworthy:
I soon realised that what had happened on a small scale cannot necessarily be repeated on a largerAndy Goldsworthy:
Abandoning the project was incredibly stressful after having gone through the process of building tAndy Goldsworthy:
Stones are checked every so often to see if any have split or at worst exploded. An explosion can lAndy Goldsworthy:
Three or four stones in one firing will all react differently. I try to achieve a balance between tAndy Goldsworthy:
Once the fired stone is out of the kiln, it is still possible to mentally reconstruct it in its ori