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A cabaret song has got to be written - for the middle voice, ideally - because you've got to hear t
A cabaret song has got to be written - for the middle voice, ideally - because you've got to hear t
A cabaret song has got to be written - for the middle voice, ideally - because you've got to hear t
A cabaret song has got to be written - for the middle voice, ideally - because you've got to hear t
A cabaret song has got to be written - for the middle voice, ideally - because you've got to hear t
A cabaret song has got to be written - for the middle voice, ideally - because you've got to hear t
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James Fenton:
If you're writing a song, you have to write something that can be understood serially. When you'reJames Fenton:
English poetry begins whenever we decide to say the modern English language begins, and it extendsJames Fenton:
Some people think that English poetry begins with the Anglo-Saxons. I don't, because I can't acceptJames Fenton:
When we study Shakespeare on the page, for academic purposes, we may require all kinds of help. GenJames Fenton:
Poetry carries its history within it, and it is oral in origin. Its transmission was oral. Its tranJames Fenton:
Considering the wealth of poetic drama that has come down to us from the Elizabethan and Jacobean pJames Fenton:
Working alone on a poem, a poet is of all artists the most free. The poem can be written with a modJames Fenton:
What I want, when I write a poem, is no more than this: that it be preserved in some published formJames Fenton:
In song the same rule applies as in dramatic verse: the meaning must yield itself, or yield itselfJames Fenton:
Sometimes I have thought that a song should look disappointing on the page - a little thin, perhaps