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All the marketing and advertising sells the book as what it is and hopes that the book will be disp
All the marketing and advertising sells the book as what it is and hopes that the book will be disp
All the marketing and advertising sells the book as what it is and hopes that the book will be disp
All the marketing and advertising sells the book as what it is and hopes that the book will be disp
All the marketing and advertising sells the book as what it is and hopes that the book will be disp
All the marketing and advertising sells the book as what it is and hopes that the book will be disp
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M. J. Rose:
I just want to sit in my room and write books.M. J. Rose:
I think the most important thing we as writers can do is figure out how we define what success willM. J. Rose:
I'm realistic about my career as a novelist. I'm certainly not a superstar and far, far from a housM. J. Rose:
From the very beginning, I envisioned success as selling enough books so I could keep getting publiM. J. Rose:
Buy other authors' books when you go to their events. Even if you aren't going to read it. Even ifM. J. Rose:
Find out if your radio interviewer has read your book, or you are going to have to do that part ofM. J. Rose:
Ask your editor or ask your agent to find out what the house's goals are for your book before it coM. J. Rose:
Save yourself some grief. Check with the publicist you hire to see what other books he/she has comiM. J. Rose:
Estimates are that in 2012, more than 32 million books were available - the explosion, thanks to thM. J. Rose:
We need to write books that publicists and marketers and booksellers and book club leaders and libr