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And I taught acting for years, and without knowing it that was the real thing that started bending
And I taught acting for years, and without knowing it that was the real thing that started bending
And I taught acting for years, and without knowing it that was the real thing that started bending
And I taught acting for years, and without knowing it that was the real thing that started bending
And I taught acting for years, and without knowing it that was the real thing that started bending
And I taught acting for years, and without knowing it that was the real thing that started bending
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Sydney Pollack:
No, I never went to college. Always regretted it, always envied people who did.Sydney Pollack:
Well, there's no question that a good script is an absolutely essential, maybe the essential thingSydney Pollack:
You don't normally do another presentation of All About Eve. You do one All About Eve, and that's iSydney Pollack:
You know, essentially when you do a play you're reinterpreting a work of art that already exists. TSydney Pollack:
With a movie you're creating from the beginning this particular work, let's not call it work of artSydney Pollack:
I mean, certainly it's the single biggest event, I think, in terms of popular entertainment, or artSydney Pollack:
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I mean, certainly writing, painting, photography, dance, architecture, there is an aspect of almostSydney Pollack:
Film is a collective experience, as you know.Sydney Pollack:
You are not an active creator of the film.