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Every time you make a film, you create a world. You make decisions about sets and costumes, and you
Every time you make a film, you create a world. You make decisions about sets and costumes, and you
Every time you make a film, you create a world. You make decisions about sets and costumes, and you
Every time you make a film, you create a world. You make decisions about sets and costumes, and you
Every time you make a film, you create a world. You make decisions about sets and costumes, and you
Every time you make a film, you create a world. You make decisions about sets and costumes, and you
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Ira Sachs:
Suspense films are often based on communication problems, and that affects all of the plot points.Ira Sachs:
Movies are romantic fantasies.Ira Sachs:
As I've gotten less righteous, less pedagogic, I have become more loving of the artificiality, theIra Sachs:
My father moved out to Park City in in the mid-'70s and lived in a Winnebago behind a hippie jointIra Sachs:
I remember being a teenager and seeing Seymour Cassel across a crowded room and being incredibly stIra Sachs:
I conveniently was not accepted to film school, which I applied to in 1987, and so I decided I woulIra Sachs:
It's easy to make a film, but it's hard to make a career of being a filmmaker.Ira Sachs:
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Everyone wants to belong, and everyone needs to belong in order to make a career on some level.Ira Sachs:
By 15, I was lucky enough to find the theater.