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For me concrete poetry was a particular way of using language which came out of a particular feelin
For me concrete poetry was a particular way of using language which came out of a particular feelin
For me concrete poetry was a particular way of using language which came out of a particular feelin
For me concrete poetry was a particular way of using language which came out of a particular feelin
For me concrete poetry was a particular way of using language which came out of a particular feelin
For me concrete poetry was a particular way of using language which came out of a particular feelin
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Ian Hamilton Finlay:
But I can only write what the muse allows me to write. I cannot choose, I can only do what I am givIan Hamilton Finlay:
But at the beginning it was clear to me that concrete poetry was peculiarly suited for using in pubIan Hamilton Finlay:
I am not a modern man, I am just a wee old fashioned one.Ian Hamilton Finlay:
No, I don't make my work in order to challenge or confuse other people's expectations - I only do wIan Hamilton Finlay:
People have always found me challenging - I don't know why, when I am only being myself. I don't unIan Hamilton Finlay:
I came to these mediums through having the garden, and of course, people who have designed gardensIan Hamilton Finlay:
My position is that since the non-secular status of my garden is not recognised by the law; by theIan Hamilton Finlay:
The same sort of thing happened in my dispute with the National Trust book: Follies: A National TruIan Hamilton Finlay:
Little Sparta is a garden in the traditional sense. It is perhaps not like other modern gardens, buIan Hamilton Finlay:
I have often said that just as the French revolution, for instance, understood itself through antiq