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For me, the original play becomes an historical document: This is where I was when I wrote it, and
For me, the original play becomes an historical document: This is where I was when I wrote it, and
For me, the original play becomes an historical document: This is where I was when I wrote it, and
For me, the original play becomes an historical document: This is where I was when I wrote it, and
For me, the original play becomes an historical document: This is where I was when I wrote it, and
For me, the original play becomes an historical document: This is where I was when I wrote it, and
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August Wilson:
I know some things when I start. I know, let's say, that the play is going to be a 1970s or a 1930sAugust Wilson:
I think all in all, one thing a lot of plays seem to be saying is that we need to, as black AmericaAugust Wilson:
I work as an artist, and I think the audience of one, which is the self, and I have to satisfy myseAugust Wilson:
I don't write for a particular audience.August Wilson:
I write for myself, and my goal is bringing that world and that experience of black Americans to liAugust Wilson:
I've never seen 'Seinfeld', never seen 'The Cosby Show'; I just don't watch it. I saw half of 'OpraAugust Wilson:
My hero when I was 14 was Sonny Liston. No matter what kinds of problems you were having with yourAugust Wilson:
A novelist writes a novel, and people read it. But reading is a solitary act. While it may elicit aAugust Wilson:
My influences have been what I call my four Bs - the primary one being the blues, then Borges, BaraAugust Wilson:
I don't write particularly to effect social change. I believe writing can do that, but that's not w