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I brought Yoko Ono to New York and gave her her first job there. I was editing a magazine called 'F
I brought Yoko Ono to New York and gave her her first job there. I was editing a magazine called 'F
I brought Yoko Ono to New York and gave her her first job there. I was editing a magazine called 'F
I brought Yoko Ono to New York and gave her her first job there. I was editing a magazine called 'F
I brought Yoko Ono to New York and gave her her first job there. I was editing a magazine called 'F
I brought Yoko Ono to New York and gave her her first job there. I was editing a magazine called 'F
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Jonas Mekas:
I'm not an abstract artist; I leave that to others. To me, abstract art ended with Kazimir MalevichJonas Mekas:
I am very active on the Internet. In 2007, I made one film every day and posted it on my website. TJonas Mekas:
In a meadow full of flowers, you cannot walk through and breathe those smells and see all those colJonas Mekas:
I live, therefore I make films. I make film, therefore I live. Life. Movement. I make home movies,Jonas Mekas:
I'm not so much in the future as always in the present. The future always takes care of itself. WhaJonas Mekas:
To me, cinema is cinema. Cinema is one big tree with many branches. The same as literature. In liteJonas Mekas:
In narrative cinema, a certain terminology has already been established: 'film noir,' 'Western,' evJonas Mekas:
I'm working in a form of cinema that can be described, and has been described, as a diaristic formJonas Mekas:
I'm a filmmaker, but my working procedures are different. All my basic structuring is done during tJonas Mekas:
I always work only with friends, but it must be about them and myself. Because I film only very per