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I'm not so much in the future as always in the present. The future always takes care of itself. Wha
I'm not so much in the future as always in the present. The future always takes care of itself. Wha
I'm not so much in the future as always in the present. The future always takes care of itself. Wha
I'm not so much in the future as always in the present. The future always takes care of itself. Wha
I'm not so much in the future as always in the present. The future always takes care of itself. Wha
I'm not so much in the future as always in the present. The future always takes care of itself. Wha
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Jonas Mekas:
To me, cinema is cinema. Cinema is one big tree with many branches. The same as literature. In liteJonas Mekas:
In narrative cinema, a certain terminology has already been established: 'film noir,' 'Western,' evJonas Mekas:
I'm working in a form of cinema that can be described, and has been described, as a diaristic formJonas Mekas:
I'm a filmmaker, but my working procedures are different. All my basic structuring is done during tJonas Mekas:
I always work only with friends, but it must be about them and myself. Because I film only very perJonas Mekas:
Most of my videos consist of fragments, one or two minutes long. They are haikus or sketches. I havJonas Mekas:
Once you change the technology - from a film camera to a video camera, or from an 8-mm camera to 16Jonas Mekas:
Some cameras are heavier and need to be on tripods. Others are small enough to hide in your pocket.Jonas Mekas:
I myself saw the great works of Western civilization for the first time in my high school in LithuaJonas Mekas:
The nature of the video camera really makes you focus on the present. Since I have always been a di