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I guess professionally it began when Hal Hartley used some music of mine in his film The Unbelievab
I guess professionally it began when Hal Hartley used some music of mine in his film The Unbelievab
I guess professionally it began when Hal Hartley used some music of mine in his film The Unbelievab
I guess professionally it began when Hal Hartley used some music of mine in his film The Unbelievab
I guess professionally it began when Hal Hartley used some music of mine in his film The Unbelievab
I guess professionally it began when Hal Hartley used some music of mine in his film The Unbelievab
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Jim Coleman:
With Frat House, at times I needed to make music that would reflect what these fraternity brothersJim Coleman:
But that's something that I like about scoring film: it makes me reach out of the parameters of myJim Coleman:
And I think that I'd be a natural for scoring horror movies.Jim Coleman:
But things can happen in a band, or any type of collaboration, that would not otherwise happen.Jim Coleman:
And when that's working, the sum can be greater than the parts.Jim Coleman:
Also, differences of opinion can be creatively stimulating as well as frustrating.Jim Coleman:
I think that one of the strengths of Cop Shoot Cop lay in the different, and at times, clashing perJim Coleman:
But Contra la Puerta was done mostly in the opposite way, starting with sounds and melodies.Jim Coleman:
In scoring, I usually start with a sound or group of sounds, searching out what feels right.Jim Coleman:
When I recorded Contra la Puerta, I never really thought out doing the material live. Mostly becaus