I have an adult emotional life and an editing system inside me which prevents me from being preposterously stupid.

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• Stephen Hopkins:

  I wanted to make a film that was sophisticated and emotional, but for a wider audience.

• Stephen Hopkins:

  I've always been a bit of a sound freak in the movies I've done.

• Stephen Hopkins:

  If people aren't in sync, things won't work out well.

• Stephen Hopkins:

  It's rare that scenes last more than 2 or 3 minutes, so sound helps segue from one scene to another

• Stephen Hopkins:

  There's no attempt to manipulate the audience. We made our choice at the start.

• Stephen Hopkins:

  To be able to rely completely on the actors was a very simple process for me.

• Stephen Hopkins:

  We shoot double episodes in 15 days in Los Angeles.

• Stephen Hopkins:

  We use a lot of source music on some shows and none on others.

• Stephen Hopkins:

  When I was thinking of casting this, I thought, What roles would Sellers be playing now?

• Stephen Hopkins:

  24 isn't like other shows, where you set the look once and you're done. The show started at midnigh