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I think an interview, properly considered, should be an investigation. You shouldn't know what the
I think an interview, properly considered, should be an investigation. You shouldn't know what the
I think an interview, properly considered, should be an investigation. You shouldn't know what the
I think an interview, properly considered, should be an investigation. You shouldn't know what the
I think an interview, properly considered, should be an investigation. You shouldn't know what the
I think an interview, properly considered, should be an investigation. You shouldn't know what the
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Errol Morris:
Certain kinds of intimacy emerge on a phone call that might never occur if you were sitting right nErrol Morris:
If you think you're going to create an unposed photograph, think again. There is no such thing.Errol Morris:
First of all, tabloid stories are some of the richest and most important stories that we have. TherErrol Morris:
If you're a journalist - and I think, on some level, I'm a journalist, and proud to be a journalistErrol Morris:
A lot of stories that have fascinated me are tabloid stories that have come from other newspapers,Errol Morris:
A lot of the themes of my movies, the actual stories, come from tabloid stories.Errol Morris:
Photographs can reveal something to us, and they can also conceal things.Errol Morris:
My stuff always starts with interviews. I start interviewing people, and then slowly but surely, aErrol Morris:
I used to work as a private detective years and years ago.Errol Morris:
There are endless anxieties in putting a film together, and it's an enormous relief when you know i