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I think maybe the rural influence in my life helped me in a sense, of knowing how to get close to p
I think maybe the rural influence in my life helped me in a sense, of knowing how to get close to p
I think maybe the rural influence in my life helped me in a sense, of knowing how to get close to p
I think maybe the rural influence in my life helped me in a sense, of knowing how to get close to p
I think maybe the rural influence in my life helped me in a sense, of knowing how to get close to p
I think maybe the rural influence in my life helped me in a sense, of knowing how to get close to p
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Gordon Parks:
I was there less than a year before I was assigned to the Paris bureau. I spent two years there andGordon Parks:
I'd become sort of involved in things that were happening to people. No matter what color they be,Gordon Parks:
I've been with Life now for seventeen years and I have written several articles for them and will bGordon Parks:
People in millenniums ahead will know what we were like in the 1930's and the thing that, the imporGordon Parks:
So I went to Chicago in 1940, I think, '41, and the photographs that I made there, aside from fashiGordon Parks:
The man at Kodak told me the shots were very good and if I kept it up, they would give me an exhibiGordon Parks:
The photographer begins to feel big and bloated and so big he can't walk through one of these doorsGordon Parks:
The subject matter is so much more important than the photographer.Gordon Parks:
There's another horizon out there, one more horizon that you have to make for yourself and let otheGordon Parks:
Washington, D.C. in 1942 was not the easiest place in the world for a Negro to get along.