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I think the best writers use the language they use every day when they talk to friends. When we tal
I think the best writers use the language they use every day when they talk to friends. When we tal
I think the best writers use the language they use every day when they talk to friends. When we tal
I think the best writers use the language they use every day when they talk to friends. When we tal
I think the best writers use the language they use every day when they talk to friends. When we tal
I think the best writers use the language they use every day when they talk to friends. When we tal
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Morris Gleitzman:
Although my stories are all very different on the surface, I like to write stories about charactersMorris Gleitzman:
Stories can bring alive the moral universe in a very vivid, useful, engaging way.Morris Gleitzman:
Most of your life after puberty, you're either seeking to reproduce or living with the consequencesMorris Gleitzman:
I like to write stories where young people have a strong feeling about something being fair or unfaMorris Gleitzman:
Because kids are physically smaller, there's an assumption by people who haven't read a kids' bookMorris Gleitzman:
The type of stories I write are about young people grappling with the biggest problems in their livMorris Gleitzman:
Halfway through primary school, I realised that I was not as physically strong or fearless as manyMorris Gleitzman:
I think, to be a successful author, you've got to be part recluse and part show-off.Morris Gleitzman:
I think probably you can either write for kids, or you can't. That ability to imaginatively be a chMorris Gleitzman:
In 1969, we emigrated to Australia. It was a big change. The heat, the flies, and the completely di