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I think there is something about coming to a city to work that puts you in touch with it in a diffe
I think there is something about coming to a city to work that puts you in touch with it in a diffe
I think there is something about coming to a city to work that puts you in touch with it in a diffe
I think there is something about coming to a city to work that puts you in touch with it in a diffe
I think there is something about coming to a city to work that puts you in touch with it in a diffe
I think there is something about coming to a city to work that puts you in touch with it in a diffe
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Marilyn Hacker:
I lived in the studio apartment that I bought for four years before I bought it in 1989, so I was aMarilyn Hacker:
Translation is an interestingly different way to be involved both with poetry and with the languageMarilyn Hacker:
When you translate poetry in particular, you're obliged to look at how the writer with whom you'reMarilyn Hacker:
The ambiguities of language, both in terms of vocabulary and syntax, are fascinating: how importantMarilyn Hacker:
Translation makes me look at how a poem is put together in a different way, without the personal inMarilyn Hacker:
Perhaps first and foremost is the challenge of taking what I find as a reader and making it into aMarilyn Hacker:
I don't think it's by accident that I was first attracted to translating two French women poets.Marilyn Hacker:
Of the individual poems, some are more lyric and some are more descriptive or narrative. Each poemMarilyn Hacker:
I don't know whether a poem has be there to help to develop something. I think it's there for itselMarilyn Hacker:
The pleasure that I take in writing gets me interested in writing a poem. It's not a statement abou