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If you look at landscape in historical terms, you realize that most of the time we have been on Ear
If you look at landscape in historical terms, you realize that most of the time we have been on Ear
If you look at landscape in historical terms, you realize that most of the time we have been on Ear
If you look at landscape in historical terms, you realize that most of the time we have been on Ear
If you look at landscape in historical terms, you realize that most of the time we have been on Ear
If you look at landscape in historical terms, you realize that most of the time we have been on Ear
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Bill Viola:
Emotions are the key to many aspects of life. They are precisely the elements that make human beingBill Viola:
A lot of what making art is, is just being open, and empty. And putting yourself in the right placeBill Viola:
One of the most important things for me in terms of my working method is doubt. I get very insecureBill Viola:
Since the time of St. Jerome, it was mandatory for any kind of scholar or thinker to spend time outBill Viola:
Video artists being at the low end of the totem pole economically, one of the ways we survive is toBill Viola:
In the 1970s, a lot of critics didn't understand video. I got a lot of bad reviews. But film-makersBill Viola:
I would prefer to be forgotten, then rediscovered in a different age.Bill Viola:
I came of age at the end of the 1960s, just when video was also coming into the world. Companies suBill Viola:
The human brain is probably one of the most complex single objects on the face of the earth; I thinBill Viola:
I think we're in an age where artists really have an incredible range of materials at their command