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I'm very obsessed with the energy of New York and the idea of the way people behave in the city ver
I'm very obsessed with the energy of New York and the idea of the way people behave in the city ver
I'm very obsessed with the energy of New York and the idea of the way people behave in the city ver
I'm very obsessed with the energy of New York and the idea of the way people behave in the city ver
I'm very obsessed with the energy of New York and the idea of the way people behave in the city ver
I'm very obsessed with the energy of New York and the idea of the way people behave in the city ver
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Marco Brambilla:
I love the idea of bringing my work to the general public, not just people who go to gallery openinMarco Brambilla:
I think that in a weird way, as technology gets more sophisticated, people have become less aware oMarco Brambilla:
Being able to make work - if it's on your terms, and it's a good fit with the people who are supporMarco Brambilla:
I think in America there's this free flow between fashion, art, architecture, music and design. InMarco Brambilla:
Most of my work has no conventional narrative, so it's not essential to have a beginning and an endMarco Brambilla:
For me, a lot of my work has dealt with what it means to be at the center of the universe and how aMarco Brambilla:
Usually, the energy in elevators is so awkward; I mean, I can't imagine the politics in the ones inMarco Brambilla:
Just doing a project because it's an opportunity won't create meaning. As an artist, I need somethiMarco Brambilla:
I'm a huge cinemaphile. My interest in filmmaking came out of experimenting with different genres,Marco Brambilla:
Thematically, most of my work deals with transition, our culture's constant acceleration, and emoti