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In 2008, 'Surfer's Journal' published 'The Next Wave' image with an article.
In 2008, 'Surfer's Journal' published 'The Next Wave' image with an article.
In 2008, 'Surfer's Journal' published 'The Next Wave' image with an article.
In 2008, 'Surfer's Journal' published 'The Next Wave' image with an article.
In 2008, 'Surfer's Journal' published 'The Next Wave' image with an article.
In 2008, 'Surfer's Journal' published 'The Next Wave' image with an article.
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John Van Hamersveld:
The drawing of a 'Pipeline Wave' started with Billabong as a commission for their 2009 Pipeline MasJohn Van Hamersveld:
For the surf idol Duke Kahanamoku portrait, which I created for the Surfrider Foundation, I took aJohn Van Hamersveld:
With the Larry Bertlemann portrait, I started with a photograph that I could use for it. I built thJohn Van Hamersveld:
I look at graphic design as communication, meaning that the work has to have a vibe to connect to tJohn Van Hamersveld:
In teaching color, you teach people how to look something and see the tone in it and break it downJohn Van Hamersveld:
Because I went to Chouinard, which then became CalArts, I became a multi-discipline artist - it wasJohn Van Hamersveld:
I'm working on my own work, my own publishing company.John Van Hamersveld:
In this century of hyper-postmodern ideals, with the digital future, we're segmented into differentJohn Van Hamersveld:
What is Southern California but an ever-changing dreamscape backdrop for the postmodern ideal? TheJohn Van Hamersveld:
For me in my twenties, working in Hollywood was confusing in that the differences between what was