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It's weird - on almost every film I've worked on, the first sequence we storyboard ends up being th
It's weird - on almost every film I've worked on, the first sequence we storyboard ends up being th
It's weird - on almost every film I've worked on, the first sequence we storyboard ends up being th
It's weird - on almost every film I've worked on, the first sequence we storyboard ends up being th
It's weird - on almost every film I've worked on, the first sequence we storyboard ends up being th
It's weird - on almost every film I've worked on, the first sequence we storyboard ends up being th
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Pete Docter:
In some ways, I feel like the strength of animation is in its simplicity and caricature, and in redPete Docter:
When people go to the theater, they don't want to think 'I know exactly what I'm gonna get,' and thPete Docter:
I like doing everything. That's why I came to Pixar, as opposed to Disney or any other studio - it'Pete Docter:
In a regular theatre, you'd be kind of moving your eye from one character 5 feet over to the rightPete Docter:
'Toy Story' we found, sorta by accident, because we didn't know what we were doing, the idea of beiPete Docter:
'Monsters,' everybody has the thought of monsters in your closet as a kid, and more importantly, thPete Docter:
Each one of the films get built up and strengthened and reinforced, and we're not afraid to rip stuPete Docter:
Walt Disney wasn't making films for kids. Neither were the Muppets. A lot of the great, really coolPete Docter:
I remember as a kid having a balloon and accidentally letting the string go and watching it just flPete Docter:
I love to go to the airports and just put on, like, dark glasses, so nobody can tell I'm staring at