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I've always looked at filmmaking as a lifestyle. There is no decision of when you go to work. It's
I've always looked at filmmaking as a lifestyle. There is no decision of when you go to work. It's
I've always looked at filmmaking as a lifestyle. There is no decision of when you go to work. It's
I've always looked at filmmaking as a lifestyle. There is no decision of when you go to work. It's
I've always looked at filmmaking as a lifestyle. There is no decision of when you go to work. It's
I've always looked at filmmaking as a lifestyle. There is no decision of when you go to work. It's
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Baltasar Kormakur:
People talk about Hollywood as a myth, but in reality, when you make Icelandic movies and you wantBaltasar Kormakur:
I'm the first Icelandic director who started working on U.S. movies. There are others behind me nowBaltasar Kormakur:
When I made '101 Reykjavik,' people talked about 'Almodovar on ice.' When I made 'The Sea,' peopleBaltasar Kormakur:
We will work on ways to digitally enhance Everest, matching it with Dolomites and Everest, but I'llBaltasar Kormakur:
I think my sweet spot is to make personal films on not-too-big budgets and also make other people'sBaltasar Kormakur:
Throughout the history of Iceland, men have been lost at sea; every family in Iceland is connectedBaltasar Kormakur:
In the case of 'The Deep,' because of the people involved, the talent and the real lives of peopleBaltasar Kormakur:
If you make a film too American, it won't travel. It will have no life outside of its own country.Baltasar Kormakur:
I used to sail a lot in all kinds of weather, competing on small sailboats in the ocean. And I travBaltasar Kormakur:
When I write and develop things myself, I might work for a while on a script from a book, and then